Connoisseur

Three northern European yards build most of the world’s largest superyachts. See what sets Lürssen, Feadship and Oceanco apart and what the name does for resale.

Two benchmark traditionalists, two ways of reading Nebbiolo. We compare Giuseppe Mascarello's Monprivato against Bruno Giacosa's Falletto, and the styles that made each a cult.

A warm, opulent harvest split the wine world in two. The Bordeaux establishment hesitated; a young Robert Parker did not. We revisit the 1982 vintage that aged superbly, made a critic's name and changed how the world buys Bordeaux.

No classification ranks it, yet Pétrus commands prices at or above the Médoc first growths. We look at the blue clay, the scarcity and the collector demand that keep this small Pomerol estate the most coveted name on the right bank.

Lucio Fontana cut a hole in the history of painting. We trace how Spazialismo turned a slashed canvas into one of the most legible collecting categories in postwar art.

A mechanical watch is a machine that wears, and servicing keeps it running. But the calendar matters less than the symptoms, and the worst damage a watch can suffer often comes from the bench, not from neglect.

The equation of time is the difference between the clock's even day and the sun's real one. A handful of makers translate that astronomy onto a dial, and the rarest version is among the most quietly beautiful things a watch can do.

The Paul Newman Daytona is not one watch but a family of references united by a dial. Here is how the references map, and how collectors read them.

MB&F did not just build strange watches. It rewrote how the trade treats the independents and suppliers behind every calibre, and turned a niche into a category.

Ulysse Nardin earned more first-place Neuchatel certifications than any other manufacture, supplied 50-plus navies, and quietly authored modern complication watchmaking. The collecting world is finally catching up.

The 88-metre Maltese Falcon is the only large-scale at-sea proof of a 1960s DynaRig thought experiment. Twenty years on, the rig has been built only once more. We trace how a paper concept became the most engineered sail plan afloat.

Anselm Kiefer is the rare cornerstone living artist whose cultural and market standing have moved in lockstep for three decades. Our editorial read on the German painter's 2026 position, the cycles that matter, and where the secondary market sits.

Jacques Selosse rewrote the rules in Avize, and the grower-champagne movement followed. We read the cuvées, the lieux-dits, and the cellars built around them.

A quiet third path is forming between traditional collecting and tokenized art platforms. We examine how institutions are constructing internal art treasuries that look like tokenized infrastructure but issue no tokens and accept no outside capital.

Institutions holding $200M+ in fine art face a binary structural choice: keep the collection on the internal balance sheet, or securitize into ETPs and ABS. The decision now shapes control, liquidity, and valuation discipline.

European yachting is entering a new era where regulatory structure, documentation quality and compliance posture quietly determine resale value, charter access and cruising flexibility.

From a doubled global fleet to a generation of owners ten years younger, the superyacht market is on track to reach $25.7 billion by 2032 — and Greece sits squarely on the route.

Bordeaux has had a quiet decade by its own standards. Our editorial read on what the 2026 market actually looks like and where serious collectors are buying.